Domy Books, in association with Okay Mountain,
is pleased to present

88
organized by Andy Coolquitt

featuring
Jamie Panzer, Jill Thrasher, Kal Spelletich, Nic Maffei,
Regina Vater, Sheelah Murthy, Steve Jones, Teresa Hubbard,
Theresa Houston, Lance Letscher, Bob Anderson, Bogdan Perzynski,
Carolee Schneemann, Elisa Jimenez, Luke Savisky, Peter Glassford,
Sawad Brooks, Julia Maffei, Bill Lundberg, Ethyl Shipton,
Angela Berkson, Ted Laredo, Penny Van Horn,
Teresa Hubbard/Alexander Birchler, Scott Van Horn,
Bart Farrar and more...

Saturday, August 7, 2010

Domy Books, Austin
913 E Cesar Chavez, Austin, TX 78702
AND
Okay Mountain
1312 E Cesar Chavez St. Ste B, Austin, Texas 78702
7-10pm, FREE ADMISSION
Exhibition runs August 7–September 9, 2010

“In 1986 I moved to austin after screwing around for 5 years studying music, literature, photography, and art history in 5 different institutions of higher learning. When I got here I decided it was time to hunker down and focus on an undergrad degree in art history. I quit producing work and hit the books for a couple of years. After I received a BFA in 1988, I went back to the studio and began paying attention to the artists in my community. Some were professors, some TAs and gallerists, and others were fellow students and artists connected with the music scene. It was only then that I realized how important these artists were to my own education, and to the vibe of the larger scene in Austin, and later, to the rest of the world. These people were my direct influences in 1988, when I was learning what it meant to be an artist, and I have thought about many of them continuously. 
When the guys at Domy Books and Okay Mountain asked me to put a show together I started thinking about the relationships between my formative years and the importance of these two spaces in particular, and the rise of artist-run, DIY public exhibition spaces in general. In 1988 it was not so common for a young artist in austin to organize a public exhibition. It was not so common for an artist to think about their relationship to, and their purpose within a larger society. 
 My interest in this exhibition is to publicly celebrate these amazing people that I learned from, to provide a small glimpse into some of the ideas that were floating around 22 years ago, and to see what they are up to now.  I’m also interested to look at our current situation through the lens of 1988 in Austin, Texas to see how we’ve developed as a visual culture. What we’ve learned and what we’ve lost and where we need to go.” – Andy Coolquitt